for his second solo album in 20 years roger raspail, a true legend on percussions, wished to reunite all the musicians who he has had the chance of performing alongside and that have marked him. the result is this wonderful intersection of jazz, cadense and gwo ka.

it was the spring of 2007 when paul ‘mudd’ murphy and kevin pollard announced the arrival of the former’s claremont 56 label with “villa stavros”, a magical first collaborative 12”. it seems somewhat fitting, then, that claremont 56’s final release of its’ first decade will be “n7 odyssey”, the first collaborative album from mudd & pollard.

5 years ago it all started with our very first release the raw joints 1. we wanted to build a platform for our artists to publish their music as they see it. now 13 releases further we re ready to introduce our biggest project ever since: raw joints 5!! to celebrate our 5th anniversary we decided to do something special and we had so many tracks that we decided to do a triple lp with 14 tracks on it. a lot of new/old artists have contributed to this heavy weight dance floor bomb with various styles and energy. to top it off we asked our good friends from studio airport to complete this thing with a proper raw joint sleeve. the mask is the face of slapfunk and inside this gatefold sleeve you will find us all dancing to that one thing which unites us all: music! shout out to our dear friend vincent de boer for drawing the magic. with all the celebrations comes a europe tour as well so hold tight!

2016 has been a very fruitful year for krill music. the habitat series places focus on shedding light on budding new talents and seasoned veterans alike through solitary tracks. the year kicked off with an ep from those that fall into the latter category - those of whom need little introduction, in stanislav tolkachev, i/y, +platfform and stefan vincent. throughout the course of the year, we then saw the likes of matrixxman, ilario alicante and mental resonance contribute to the now infamous concatenation.

chicago 1992. ray barneys dance mania imprint has already been making its presence felt on the streets since way back in 1985 with a slew of releases from luminaries such as lil louis, dj pierre, vincent floyd, armando and many more. step in parris mitchell, under his rhythm ii rhythm alias with a 12inch of pure deepness for the label, oddly this the only one parris released using this particular name. a touch of jazz is a languid, soulful roller that stands out amongst the more tougher edged, frenetic releases on dance mania. this is some late night, smoothed out business across 4 alternate mixes. it s all uptempo snapping drums, shifting jazzy keys and that ridiculously catchy bassline, pure deep house basically. this is the first time a touch of jazz has ever been reissued in full, just as it was originally released in 1992, complete with original dance mania label artwork. 100% legit, reissued in conjunction with dance mania records, chicago il and parris mitchell. do it tonight!

2016 reissue of the 1968 album francis vincent zappa conducts the abnuceals emuukha electric orchestra & chorus - “lumpy gravy”. the vinyl lp comes in a gatefold sleeve.

groove line records follows up the change remix 12” from the summer with the latest instalment of our officially licensed disco remix 12”s. next up are two exceptional disco remixes of the salsoul orchestra classics, “tale of three cities” and “tangerine”, by mike maurro, whose recent the mike maurro peak hour remixes box set has cemented the new york producer’s reputation as one of the most respected disco remixers on the scene right now. side a features “tale of three cities” (mike maurro disco remix), one of the salsoul orchestra’s funkiest cuts, written by bass player ron baker for their debut lp. maurro extends the arrangement to nine minutes, concentrating on the driving beat and rhythm section for the intro, subtly adding the guitar and keyboard parts before the first orchestral bridge at 1m36. stripping back much of the orchestral elements throughout the mix he gives more space to the deftly executed solo guitar and keyboard passages and gives special attention to vincent montana’s vibes, taking the dancer on a beautiful journey through the salsoul sound concluding with an instrumental, ethereal outro. side aa features “tangerine” (mike maurro disco remix), vincent montana’s skillfully rearranged version of the lilting jimmy dorsey pop standard which was the group’s biggest pop hit, also from their debut lp.

polka! cherie! voulez-vous coucher avec moi? bordel! baby-boom! a new special edition in the le pop series. perhaps the most offbeat yet. instead of focusing on the current chanson-scene as usual, this disc is a party compilation that is fun, is independent of release plans, and that shows just how danceable and versatile the modern chanson is. listen to le pop la boum, and it is guaranteed to put a satisfied smile on your face. this new le pop is clever, energetic, full of humour and extremely diverse.

• exclusive track by marcel dettmann and levon vincent
• includes 6 unreleased edits and remixes
• full tour schedule to support release
• cover art short by infamous berghain doorman sven marquardt
• download card included with lp format

long-time london based friends and regular collaborators ethyl & flori have been foraying between the blurred lines of house and techno with releases on labels like secretsundaze, aim and fear of flying for the last 6 years - and with a glowing reputation under their belt, 2015 saw the duo launch their own imprint e&f records. this time however, their most recent venture is a release with london label mutual friend recordings and combines the duos talent with enigmatic label owners and friends of ours london party curators our mutual friend, their solo ep on brooklyns voodoo down records earlier this year was tipped by such luminaries as levon vincent and dj october.

2 releases from delusive manoeuvres bundled up for one special price!

a couple of months after the release of contemporary spaces, four of abstract division s tracks get remixed. and who better suited for the job than label residents stefan vincent and deepbass & ness, and dynamic reflection debutants tensal and lewis fautzi.

the italian producer hydergine continues his deep sea journey with the tenth tiefenrausch release. on this ep gather three outstanding dub techno producers with their individual sound. the floating hydergine sound meets the different approaches by frank hellmond and don williams. the dancefloor oriented tune „dissolved“ gives the direction for the ep while „shamanic healing“ shows the introspective side of this gathering. with his remix don williams comes straight to the point and delivers consistent techno without compromises. frank hellmond gives a whole different face of dub techno with a soft and harmonic lead. audiomaster by salz music, pressed on 180gr vinyl, shrink wrapped and all covered up by the artwork of alex ketzer and the imagery from jules vernes „20.000 leagues under the sea“. supported by dustin zahn, luke hess, dax j, grad_u, philippe petit, plural, jamie mccue, vincent neumann, echo inspectors, mareena, hiver, arnaud le texier and many more...

mark broom’s nucleus remixed by advanced human, raiz and stefan vincent, plus a dub version by the man himself.

played by : jonna (city fly / shadeleaf music), ooft!, simba (shadeleaf music), vincent inc, thatmanmonkz (shadeleaf music), javi frias, paul thornton (dig deep / reboot), marcel vogel aka em vee, eddie c, bodhi, dj p-sol, red greg, masterworks music
marcel vogel s ever-ready lih imprint celebrates six years of juicy, sassy, often illicit disco soul with some of the label s best cuts to date. ideal for filling any holes in your collection, the likes of uptown funk empire s pharoah saunders cover -freedom-, manmademusic s gospel-level -circles-, eddie c s tweaking, freaking drum funk -what it is-, stacy and peven s stuttering funk -body jerkin- still slap and tickle just as stylishly and smoothly as they did when marcel first prised them from the editor s clutches... and still will in 10, 20 or 50 years-time. proper dancefloor clobber.

nice price deal !!! slamming tribal house

krtnv007 features the portuguese collective pandilla ltd with two brilliantly programmed minimalistic villalobos-like cuts plus again another stunning artwork from the hands of vincent uilenbroek.

zehn songs mit einer mischung aus old-school club-musik, west-coast hip hop und portishead beeinflusst. experimentelle sounds treffen auf geschmeidige, catchy melodien. für fans von björk, st. vincent, feist, sharon van etten, chairlift!
die deluxe lp erscheint auf schwerem 180 gramm vinyl, inklusive art-orints und downloadcode.

the debut album from norwegian producer kygo on white double 12 inch vinyl, housed in a gatefold sleeve.

light shed in the darkness of the may new moon, 2016.
supported by alan backdrop, luigi tozzi, evigt morker, amandra, antonio de angelis, arnaud le texier, dubit, gianluca meloni, exium, iori, rasmus hedlund, stefan vincent, stephanie sykes, takaaki itoh, unam zetineb, vilix, eric cloutier, sandra mosh, attemporal, sam kdc, periskop, shaded explorer, mogano, ryuji takeuchi, the noisemaker.

after the first successful vinyl release, subosc ltd is glad to announce its second release. lachriz aka farron is the artist in charge, offering three original cuts + a johannes volk remix. the ep will be available as a vinyl only release, on a strictly limited pressing.
already support from jeroen search, zadig, arnaud le texier, stefan vincent, kwartz, raiz, kessel, mental resonance, inter gritty, logotech, mattias fridell, roberto clementi, invite, george apergis, ben buitendijk, future 16 ...

originally recorded by marc moulin, vincent kenis and marc hollander in 1977 brussels. leapfrogging over style and genre boundaries, the lp shuffles between improvised jazz, minimalism, imaginary ethnic music, classical and even proto-techno (saure gurke foreshadows characteristic detroit techno riffs by a good ten years). it became a cult album in its own right and a few decades later parisian dj / producer krikor spontaneously decided to rework two tracks for his dj-sets. ensemble brings his remixes with the kind permission of crammed, marc hollander / aksak maboul and krikor.

recorded live as part of doug aitkens station to station. manufactured on the vinyl factory press. hand-crafted, mixed media artwork by abaeke studio(abaeke, vincent humeau, tilly thompson, alex lunn and emma berit smit). mixed media used: ink pads and woodglue mixed with sand. music produced by justin stanley

repress 2015 ... the second series of yygrec comes from dj qu, who leads the us underground house scene with jus-ed, fred p, levon vincent. in the mid 90s dj qu came to japan as a world soul member together with house dancer brian footwork green, marjory and joey anderson (who was featured as the first series ofyygrec).
the 2 new tracks by qu unleashes yet another underground vibe with a dark, mysterious, composed simple touch. more than anything, the uplifting rhythm unique to a former dancer will surely capture and fulfill your senses.

joe cowie aka kahwe has cut his teeth in the clubs of north england, warming up for the likes of levon vincent, ben klock, leon vynehall and prosumer at his selective hearing residency. meanwhile, his first two eps on anjunadeep have been acclaimed by resident advisor and supported by laurent garnier, larry heard and mr. g.

a new surface related label from boss nick dunton aka 65d mavericks / ever vivid and charlton ravenberg aka tapirus
strong 4-tracker from vincent koreman aka drvg cvltvre / ra-x backed with a heavy remix from sound signature’s mighty specter
limited to 300 hand stamped white labels

owohl als dj wie auch als produzent verweist luca ballerini auf seine großen vorbilder sven väth, carl craig und basic channel. auch die musik von levon vincent und omar s hat den aus verona stammenden ballerini stark beeinflusst. sein aktuelles release für cocoon recordings lässt genau all diese vorbilder und einflüsse klar erkennen

key dj support: james ruskin, benjamin damage, perc, tlr, orde meikle/slam, iron curtis, marco zenker, dario zenker, lo shea, rsd, the organ grinder, john heckle, space dimension controller, benji b, randomer, dj deep, dexter, laurent garnier, altered natives, norman nodge, trickski, boys noize, vincent neumann milos has been causing quite a stir of late with his limited handstamped msr & milos recordings projects, gaining support from key players including ben sims, gez varley (lfo), and colin dale. now we look forward to receptive visions, a label focused on no bullsh*t, real dancefloor techno. kicking off with the euphoric yet raw -reconery flight-, razor sharp hats, and massive drops pave the way for gauranteed dancefloor response! flip for -away days-, heads straight down, with a distinct gnarled, ragged intensity and thick pulsating grooves! one to watch!

james ross is a guitarist and composer living in brooklyn, n.y. originally from pittsburgh, pa., he has studied guitar at the university of pittsburgh and the mannes college of music in new york city. he has studied sitar with pandit krishna bhatt, and north indian classical music and composition with la monte young and marian zazeela. a composer in a variety of genres, james has written music for orchestral and chamber ensembles, as well as solo music for the guitar and the zhongruan (a type of chinese lute). he has also performed and recorded electronic and improvised music. recent performances as a composer and performer on the electric guitar, laptop and other instruments include sets at the bell house, at the small beast at the delancey with percussionist joseph benzola, a performance with kyle bobby dunn at issue project room, at pianos with richard lainhart, at glasslands gallery with michael vincent waller, at goodbye blue monday with david beardsley, providing live music for katherine liberovskaya and ursula scherrer’s optosonic tea series at diapason gallery in brooklyn, with video artist alex carpenter at the tank in manhattan, and at damrosch park at lincoln center as part of the guitar ensemble for rhys chatham’s “a crimson grail.” a recording of the -crimson grail- performance was released on nonesuch records on sept. 14, 2010. as a classical guitarist, james has performed as a soloist and ensemble player throughout the northeastern united states. he received a solo recitalist fellowship in 1992 from the pennsylvania council on the arts and won the 1993 mannes college of music concerto competition, resulting in a performance of joaquin rodrigo’s “fantasia para gentilhombre,” at symphony space in new york city.

two ponsactrilau releases plus one from dinamuzac bundled with a special price:
- pstl001: rico puestel - roja drifts by
- pstl002: rico puestel - ye mighty shambaluu
- dinam007: dinamoe - l analogie d echecs - les interpretations

the hypnus clergy is delighted to finally reveal our 10th sacrament. this time we have gathered yet again in choir to howl in unison as the midnight sun soar through the night.
support from antonio ruscito, arnaud le texier, artefakt, brando lupi, echologist, cio d or, david att, deepbass, eric cloutier, etapp kyle, exium, felix lorusso, gianluca meloni, iori, kwartz, mattias fridell, ness, nihad tule, nika khak, oscar mulero, rasmus hedlund, reggy van oers, samuli kemppi, setfan vincent, stephanie sykes, svreca, takaaki itoh, unam zetineb, victor martinez (error etica), vilix, vsk, warmth and still counting.

for it’s 16th (!!!) release, dixon avenue basement jams continues to bolster it’s local infantry with fresh, new blood, this time with the addition of a young but well-seasoned individual hailing from the hinterland of greater glasgow and going by the name of big miz. if you happen to live within an 8 mile radius of a blue lagoon, the chances are you will have already been acquainted with the bold miz, most likely through the longstanding and legendary clubnight/crew he’s a resident & founding member of: offbeat. the length & breadth of offbeat’s tastes also reflects his flexibility as a producer. tracks presented here, such as “good thing” strike a fine balance between good ol’ motor city funk and chi-town oddities such as vincent floyd’s more obscure cuts on d.m, while the velocity increasing “solange” comes like the result of a three-day theo studio session fuelled by bad speed. his talent for catering to the dance has clearly paid dividends when it comes to his productions, with the nuance and instinctive touch he presents us with on his debut dabj 12” clearly marking him from the start line as an already formidable & stand-out force in the heady and increasingly cramped world of house & techno.

metereze keeps a steady path of releases and this time around it is young star vincent iulian who picks up the ball and delivers four astounding tracks on his four quarters ep. also a native of bacau like dubtil and raresh among others vincent has already released on labels like naural or moment.
started is probably the grooviest of them all and for sure youve heard it before if you’ve been attending the right parties. breaking the boundries between techno and house this is a true masterpiece. on the same side he also shows a more relaxed atmosphere filled with jazzy percussions and easy synths. stors kinda makes you stop and dream for a while.
first on side b we have another dancefloor monster. no more is is driven by a hypnotic synth and infused with enough drums to keep you on the move for the whole 7 minutes. le van a cantar keeps the catchy driving mood but this time iulian explores a more broken path. bubbly voices, snares and a haunted synth emerging now and then make this corner as interesting as the rest.
four quarters is a must have for any serious collector. not to mention if you are a dj.

the second release we do with french artists upwellings aka vincent raude who is professor of modern art at the academy of brest and has been recording music since 1996. his ep comprised two tracks. a-side >dubbin at the strobe< feat. michael zerang shows a nice interaction of drums and sounds developing a profound deep mood. drum parts were recorded in chicago by michael zerang, a real jazz legend who played a lot with peter brötzmann and joe mcphee, hamid drake. the flip side >lighthouse dub< has the aura of an place which is extremely isolated. the sound is at times extremely pulled back and melancholic and holds a sentiment that reminds us a bit of joy divisions >we are the young men<. the track undergoes a transformation beatwise when going more uptempo.

above machined return after their extra special debut 10- outing (and something of a secret weapon !) just over a year ago here we have another mighty 10- platter featuring a side cut bad runner a nicola bruni rewire featuring luca cacciatore on sax. it s an irresistible mediterranean groove, which is far more dirty cocktails & dark corner deals than it is vest and linen slacks - think don carlos meets the vincent montana orchestra on the flip we re treated to the dazzling slo-mo communication breakdown where twisted tongue takes on a library rarity and transforms it into a balearic masterpiece ! the above machine stamp of quality all over this one - limited 10- release

the new generation can t be stopped.. another fresh new label with some ace tracks.. rhythm nation with terriers deliver three heavy and intense techno tracks ranging from raw (without getting harsh) to deep intense string loaded detroit rooted techno. no peak time techno tools, but tracks we ll play over and over. the pair spent the summer of 2014 under the tutelage of levon vincent, working on their distinctive and elegant sound that belies their young years.

acid, no wave and experimental house producer drvg cvltvre has been busy recently. after releasing with chris moss acid on shipwrec in 2014, vincent koreman then served up a full ep of his own, on dutch label cos_mos and is now back once again with a new four track affair on pinkman that comes two years after he offered up the label’s first ep in 2013. up first, * my houz* is a swampy house track with heavy drums, whirring machines and white noise textures all adding up to an intense affair that sounds like little else. then comes * tyranny of the gods* , a slow tempo but high impact track that builds and builds on a nerve lead synth line as frazzled bass props things up from below. dark and weird, occult and rave, its another unique proposition. on the flip, * sleepdealer* is an unbalanced house track with taught, tight bass and is shot through with laser like synths. serene and spaced out, it makes way for closer * crack spirit guide* which is a noisy, intense and brooding fusion of crisp percussion, big walls of synth and chattering drums that really have you on edge. once agin, then, drvg cvltvre has come up with the idiosyncratic goods.

having made a brief appearance on omnidisc alongside danny daze on the four ep, drvg cvltvre steps into the spotlight for a full solo release. a prolific producer from an underground punk diy background, vincent koreman aka drvg cvltvre was previously known for his experimental techno releases as ra- x in the 90s, on labels such as bunker and kk records. stepping up to the new omnidisc imprint, he delivers an ep packed with uniquely gritty, yet melodic techno weapons. as an extra treat to those who purchase the vinyl copy of the ep, a secret download link to two more tracks will be provided.

krankbrother have been throwing infamous parties all over the uk & europe for the past 6 years, regularly hosting the likes of four tet, daphni, mr. g, gerd janson, paul woolford, roman flugel, levon vincent, derrick carter, john talabot & nina kraviz, amongst others. brothers danny & kieran clancy now launch krankbrother records as an outlet for their own productions, and those of their close associates and friends from the industry.

last few years have seen barac capturing the very soul of the romanian underground in a very productive yet very unreleased manner. few carefully selected tracks have been released while others are probably kept for the right moment. with his album on metereze running hot and a new label under his command barac is for sure the man of the hour. better yet, the man of the moment. for the first instalment of his new moment imprint he teams up with friend and fellow producer vincent iulian. these two go way back and they have a lot of history together. music wise they share the same passion for driving mysterious tech grooves and theory ep is all about that. in form is groovy and dark with a haunting synth accompanied by subtle xylophones. on the other side we take a dive in the atmospheric breaks grooves of in colour. uplifting and mysterious with the right amount of balls to keep you going.

after releasing with chris moss acid on shipwreck in 2014, drvg cvltvre is now back with a full ep of his own on dutch label cos_mos. since 2009, vincent koreman a.k.a. drvg cvltvre has been churning out his own acid, no wave and experimental house on labels like viewlexx and permanent vacation and now kicks off the new year in style with three more inventive offerings. new earth army is a slow, heavyweight and coarse track with rattling chords, angry percussion and elastic drums that manages to be physical and tough yet groovy and playful at the same time. we have become the filth of the universe is a big, fat, heavy wedge of slow motion techno with monstrous drums and wild acid lines all spraying about wildly for the duration. it’s a warehouse sized track that will reduce the ‘floor to a writhing mess and finally possessed is a sci-fi riddled track with lots of spacey synths, filtered analogue lines and paranoid sirens all making for a turbulent brew of dark and otherworldly energy. once again here drvg cvltvre proves he has a raw sound all his own.

few if any producers have managed to make the transition between hip-hop and house as successfully as vincent williams, a.k.a. dj spinna. but until now his hip-hop career has been better documented. here, for the first time, is a collection of the cream of spinnas house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist.

few if any producers have managed to make the transition between hip-hop and house as successfully as vincent williams, a.k.a. dj spinna. but until now his hip-hop career has been better documented. here, for the first time, is a collection of the cream of spinna’s house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist.

celebrated ambient artist john beltran jointly release not one but two vinyl compilations on delsin records in association with his own dado label.

big with: raresh, vincent lemieux, shonky, the mole ...
what a good feeling to be able to drop some fun words to introduce the next salon records vinyl release! a good year

sonofdistantearth finally releases his debut parachute ep, exploring a raw and textured blend of techno ideas drawing from the epic melodies of us contemporaries such as levon vincent whilst evoking the desk-crushing saturation of the very same east coast noise-techno scene.

since 2009, vincent koreman a.k.a. drvg cvltvre has been working on his own blend of dystopian acid, no wave and dooms day deephouse , which he proved impressively on his release on crème organization or porn wax. for his permanent vacation release he is perfecting his methods and style , which is equally influenced by suicide, sun ra and terrence dixon. on remix duties for -night time is the right time- is original chief rocker and omar s protégé ob ignitt who puts some extra swing on top and makes sure that it is always the right time for this one.

reissue of a 1993 classic from terrence parkers detroit based intangible records & soundworks.

berk offset, dr.nojoke, coeter and vincent casanova – all outstanding artists in their field of work and specialists in modern electronic aesthetics – come together to remix the music from dinamoe s latest album l analogie d Échecs and move their pieces on the board. a record that seemingly slipped into our spheres from a future far away. interpretations and soundscapes not to miss!